May 2, 2012
"I think the people behind this Popchips ad are not racist. I think they just made a racist ad, because they’re so steeped in our culture’s racism that they didn’t even realize they were doing it."

I don’t say this often, and I don’t say this lightly, but stop what you’re doing and go and read Anil Dash’s screed, How To Fix Popchips’ Racist Ad Campaign. It’s not what you’d expect. Because it would be easy to sound off about the thoughtless callousness and disrespect of an ad campaign that for absolutely no apparent reason depicts Ashton Kutcher dressed up in vaguely Indian garb and coming out with patter that might have seemed out of place in British comedies from the 1970s (which did a lot to perfect the art of casual racism). Easy, but unhelpful. Instead, Dash takes a hard look at the culture in which this type of “creative” output was ever deemed appropriate, and has tough words for all concerned. Most of all, he pleas for all of them to avoid the usual measures of crisis management. Dash writes, 

Those superficial corrections don’t change the process. Back at the office, the Chief Marketing Officer knows that all the people who hate that brand followed them on Twitter for the day to see how they’d respond, so they later crow to the CEO, “We got a 12% bump in social media metrics, looks like I get my bonus!” The PR firm says “Well, aside from the tiny minority of people who complained, we actually got a ton of media mentions, so I can still use this to pitch ourselves to our next client!” The advertising firm says, “We can still talk about making an ad that got millions of views on YouTube, and having worked on a multimillion dollar campaign for a national consumer brand”.

And the end result is, nothing actually changes. 

It’s absolutely true, and anyone reading it who’s had any kind of tangential experience of content creation or advertising or marketing or design or the twenty first century knows it’s so. Sometimes mea culpas that follow such gaffes are somewhat genuine, but let’s face it, we live in a society that exploits cynicism to an extraordinary degree. This piece calls for us to be more thoughtful, to think harder, to accept our personal limitations and to be prepared to have an honest discussion about the imperfect society in which we live. It’s a beautiful, thoughtful, heartfelt piece of writing that has completely made my day. Really. Go and read it. Now.

April 27, 2012

RIP, David Weiss, who Art in America reports has died, aged 66. Weiss and his longtime artist partner, Peter Fischli were way ahead of the current penchant for Rube Goldberg-inspired filmmaking. Above is an extract from their film, The Way Things Go (Der Lauf der Dinge), the 30-minute extravaganza they created in 1987. As Flo Heiss, executive creative director of ad agency Dare commented on Twitter, the film is the “most copied, magical artwork of all time.” Thoughts to friends and family.

[via Matt Jones]

February 10, 2012
It’s a nosecone, silly. This one was customized by the ridiculously talented artist (and friend), Eric White, and featured in an *amazing* sounding show currently on at the PIMA Air and Space Museum in Tucson, Arizona. (I am already trying to figure out how I can get there.) The Boneyard Project involved artists such as Nunca, Retna and Faile using retired World War II airplanes as their canvas, while it also includes another collection of customized plane nosecones from the likes of Shepard Fairey, Futura 2000 and Ron English. Eric also gave a (perhaps unwittingly) brilliant insight into the highs and lows of the creative process with this emailed description of his contribution:

I picked this cone out of the six I was shown months ago because it was the strangest one. The entire thing was covered in that white, shimmery fabric; the outer layer was peeling off. For some reason I kept picturing it pink, and I decided to go for a flat, opaque pink surface being revealed by the torn away fabric. I was tempted to leave it there, but one of my best friends said he thought it needed something else, so I developed the idea of one little window, maybe another level existing beneath the pink. Time was running out, the pickup had been scheduled, so I was frantically trying to come up with something. The night before it was due I settled on something that I thought was great: I found a picture of a little kid with an asthma inhaler that was hilarious to me, and seemed like the perfect meaningless and absurd image that would put it over the edge. I finished about 5am on the day it was due and realized it was terrible. So I then scrambled through 10 different ideas and landed on the “Love Crazy” thing, taken from a title card from an old film. I worked on that for the next three hours and finished. I couldn’t believe I pulled it off. The other thing would have been lame. The text works with the obvious phallic shape and sexual connotations of the pink etc, and I thought the black and white fit well aesthetically… I hope it doesn’t sell. I want it back!”

I hope it doesn’t sell too, so that I can arm wrestle Eric for it. Gorgeous.

It’s a nosecone, silly. This one was customized by the ridiculously talented artist (and friend), Eric White, and featured in an *amazing* sounding show currently on at the PIMA Air and Space Museum in Tucson, Arizona. (I am already trying to figure out how I can get there.) The Boneyard Project involved artists such as Nunca, Retna and Faile using retired World War II airplanes as their canvas, while it also includes another collection of customized plane nosecones from the likes of Shepard Fairey, Futura 2000 and Ron English. Eric also gave a (perhaps unwittingly) brilliant insight into the highs and lows of the creative process with this emailed description of his contribution:

I picked this cone out of the six I was shown months ago because it was the strangest one. The entire thing was covered in that white, shimmery fabric; the outer layer was peeling off. For some reason I kept picturing it pink, and I decided to go for a flat, opaque pink surface being revealed by the torn away fabric. I was tempted to leave it there, but one of my best friends said he thought it needed something else, so I developed the idea of one little window, maybe another level existing beneath the pink. Time was running out, the pickup had been scheduled, so I was frantically trying to come up with something. The night before it was due I settled on something that I thought was great: I found a picture of a little kid with an asthma inhaler that was hilarious to me, and seemed like the perfect meaningless and absurd image that would put it over the edge. I finished about 5am on the day it was due and realized it was terrible. So I then scrambled through 10 different ideas and landed on the “Love Crazy” thing, taken from a title card from an old film. I worked on that for the next three hours and finished. I couldn’t believe I pulled it off. The other thing would have been lame. The text works with the obvious phallic shape and sexual connotations of the pink etc, and I thought the black and white fit well aesthetically… I hope it doesn’t sell. I want it back!”

I hope it doesn’t sell too, so that I can arm wrestle Eric for it. Gorgeous.

February 9, 2012

How amazing is this? Greek multimedia artist, Petros Vrellis converts Vincent van Gogh’s “Starry Night” into a swirl of animation and interactivity. The music and the movement are perfectly matched to the spirit of the original painting. As Local Projects principal Jake Barton wrote of the project, it’s “a startling flow of lines, color, sound and interactivity.” Wonderful.

January 26, 2012
Some might argue that I picked up on this story solely so I could share one of my favorite pictures from last summer’s Istanbul vacation. And truth be known, they might have a point. (If you find yourself in the city, a visit to the underground Basilica Cistern is compulsory. What a magical, breathtakingly beautiful place.) Nonetheless, After Being Stricken By Drought, Istanbul Yields Ancient Treasure is a wonderful piece about important new archaeological finds near the city. I also enjoyed a glimpse of the truly painstaking nature of the work and the reminder that, doubtless, nothing we look at is truly what it seems. 

Some might argue that I picked up on this story solely so I could share one of my favorite pictures from last summer’s Istanbul vacation. And truth be known, they might have a point. (If you find yourself in the city, a visit to the underground Basilica Cistern is compulsory. What a magical, breathtakingly beautiful place.) Nonetheless, After Being Stricken By Drought, Istanbul Yields Ancient Treasure is a wonderful piece about important new archaeological finds near the city. I also enjoyed a glimpse of the truly painstaking nature of the work and the reminder that, doubtless, nothing we look at is truly what it seems. 

January 20, 2012
The Greatest Grid: The Master Plan for Manhattan, 1811-2011

Here’s Manhattan as you’ve never seen it before, at least, not unless you’ve lived here a really long time and are the oldest person in the world. The Greatest Grid: The Master Plan for Manhattan, 1811-2011 is on show at the Museum of the City of New York until April 12th, and is filled with unexpected and unlikely views of the greatest city in the world. (Yes, I’m biased.) Here, some of the shots on view, including this oil painting, Junction of the Bowery and Broadway, Union Square, 1885 by Albertis Del Orient Browere, which makes no sense at all if you’ve been experienced modern day Union Square recently. [All images c/o Museum of the City of New York unless otherwise stated; this one taken from the J Clarence Davies Collection]:

 

Here’s a rather more recognizable but still insane image, a photograph of Columbus Circle from September 16, 1892:

 

Here, houses on Riverside Drive and 94th street in June, 1890:

Still on the upper west side, this shot was photographed at 81st and 9th avenue in December, 1886:

And finally, a shantytown comprising fifteen shacks on Fifth avenue and 101st street, photographed in 1894:

I’m a history nerd, so I love this look at what went before, but still, this wasn’t so long ago! It really is amazing to think of the evolution of New York in such a short period of time. And then… somewhat alarming to realize that the change is still ongoing. Will our descendants look back in similar disbelief in another century’s time? What will their city look like?

January 18, 2012

Wayne White is one of those polymath creative types whose genius knows no bounds. Totally disinterested in and unfazed by the nominal partitions between artistic disciplines, here’s a man who’s dabbled in everything from comic books to sculpture to fine art to set design. Funny, infectiously enthusiastic and razor sharp and smart, White is now the focus of a new biopic, Beauty is Embarrassing, which will premiere in March at this year’s South by South West Film Festival. And what better message to apply to our lives, but White’s conclusion here: “Do what you love. It’s going to lead to where you want to go.” Swoon.

[Video via Eric White.]

November 29, 2011

So you know how I keep banging on about how designers have the potential to create a present (or future) that mere mortals can’t imagine? And then I generally grumpily add that it’s a shame the visions of the future are pretty lame? Well, today, perusing links over my breakfast, I near enough dropped my piece of toast after coming across this truly lovely installation from British public artists, Greyworld. Commissioned by the National Forestry Commission, it’s a sound piece in Grizedale, England. Rather, it’s a forest full of clockwork trees. Clockwork trees! Just the thought of them sends my mind spinning into all sorts of new places. Unexpected, magical, nostalgic and thought-provoking all at once. Amazing. 

But what’s that, you say? All very well and lovely but surely big metal keys aren’t at all the thing to insert into majestic, living trees? Yes, I worried about that. Luckily, Andrew Shoben of Greyworld reassures that those behind the project thought about this issue, too. “Trees had special tubes inserted that allow them to continue to grow,” he wrote via email. “It took several arborists and much consulting of other experts to find the best way.”

Mechanical sound doesn’t carry far, while some keys have been installed high up in the forest canopy, out of reach of regular hikers. But while this is officially a sound installation, this is actually less about the sound and more about creating a new, tilted reality for visitors. The clockwork trees are now a permanent part of the forest, and I have a new destination on my list of must-visit places.

[Original link via James Tindall.]

September 15, 2011

“Big Bang Big Boom” is “a short unscientific story about evolution and his consequences” by the Italian street artist, Blu. It’s also the most incredible thing I’ve seen in an age. Breathtaking. Holy wow.

(Video via Sean Rocha.)

July 12, 2011

You can see the more polished trailer for upcoming animation feature Henry Waltz, along with its faked approval green screen. (“The Limeligt Motion Picture Assosiation?” I don’t think so.) But even more than the finished thing, I loved this behind-the-scenes look at how the animation is being made. The creator, Emil Goodman, who’s based in Hungary, describes: “In this footage I captured my body-motions with a really cheap home-made motion capture system, and that’s how I move the flying vehicle’s wings. The green-screen footage was captured with a little compact camera in 720p. I have a beauty-dish on my head :) That’s my hat :)” The results are testament to what’s possible when you combine commonly available technology and tools with a large helping of creativity and imagination.

(Video via Geoff Manaugh.)

June 17, 2011

More creative virtuosity at YouTube. OHAD122, who describes him/herself as “musician and amateur video editor. Also, beet farmer,” mixes a version of Radiohead’s track, Paranoid Android—using only existing video clips. The credits include 36 musicians/groups from all over the world and the piece features a myriad different styles and some spectacular juxtapositions. Fabulous on so many levels, from its defiant low-fi-ness (people jamming in their homes) to its enormously powerful demonstration of the technical capabilities we all now have at our fingertips.

(via Adam Greenfield.)

June 9, 2011

Today’s salient lesson in the amazing power of both the Internet and the individuals who use it. Google launches an interactive doodle in honor of what would have been Les Paul’s 96th birthday. Most of the world says, “ooh, fun”, strums a couple of interactive strings and promptly goes about their regular business. Tim Exile, in contrast, records a track in the doodle’s honor, films himself doing it and then uploads it to YouTube. “Google, you’re so cool. You’ve got a guitar on your homepage,” he sings. An instant homage and a great piece of lo-fi personal marketing. Fabulous.

(Story via Ben Malbon.)